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・ Jean-Luc De Meyer
・ Jean-Luc Dehaene
・ Jean-Luc Delarue
・ Jean-Luc Delpech
・ Jean-Luc Dogon
・ Jean-Luc Dompé
・ Jean-Luc du Plessis
・ Jean-Luc du Preez
・ Jean-Luc Escayol
・ Jean-Luc Ettori
・ Jean-Luc Fichet
・ Jean-Luc Fillon
・ Jean-Luc Fournier
・ Jean-Luc Fugaldi
・ Jean-Luc Garnier
Jean-Luc Godard
・ Jean-Luc Godard bibliography
・ Jean-Luc Godard filmography
・ Jean-Luc Grand-Pierre
・ Jean-Luc Houssaye
・ Jean-Luc Hudsyn
・ Jean-Luc Joinel
・ Jean-Luc Joncas
・ Jean-Luc Lagardère
・ Jean-Luc Lahaye
・ Jean-Luc Lambourde
・ Jean-Luc Lemoine
・ Jean-Luc Mandaba
・ Jean-Luc Margot
・ Jean-Luc Marion


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Jean-Luc Godard : ウィキペディア英語版
Jean-Luc Godard

Jean-Luc Godard (; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement ''La Nouvelle Vague'', or "New Wave".
Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To challenge this tradition, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema.〔(【引用サイトリンク】url=http://www.newwavefilm.com/french-new-wave-encyclopedia/jean-luc-godard.shtml )〕 He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy.〔(【引用サイトリンク】url=http://www.davidsterritt.com/breathless.html )
Since the New Wave, his politics have been much less radical and his recent films are about representation and human conflict from a humanist, and a Marxist perspective.
In a 2002 ''Sight & Sound'' poll, Godard ranked third in the critics' top-ten directors of all time (which was put together by assembling the directors of the individual films for which the critics voted).〔(【引用サイトリンク】 url = http://www.bfi.org.uk/sightandsound/topten/poll/critics-directors.html )〕 He is said to have "created one of the largest bodies of critical analysis of any filmmaker since the mid-twentieth century." He and his work have been central to narrative theory and have "challenged both commercial narrative cinema norms and film criticism's vocabulary." In 2010, Godard was awarded an Academy Honorary Award, but did not attend the award ceremony.
Godard's films have inspired many directors including Martin Scorsese, Quentin Tarantino, Steven Soderbergh, D. A. Pennebaker,〔(【引用サイトリンク】url=http://phfilms.com/index.php/phf/film/1pm/ )Robert Altman, Jim Jarmusch, Wong Kar-wai, Wim Wenders, Bernardo Bertolucci, and Pier Paolo Pasolini.
== Early life ==

Jean-Luc Godard was born on 3 December 1930 in the 7th arrondissement of Paris,〔Richard Brody, Everything is Cinema, p. 4〕 the son of Odile (née Monod) and Paul Godard, a Swiss physician. His wealthy parents came from Protestant families of FrancoSwiss descent, and his mother was the daughter of Julien Monod, a founder of the Banque Paribas. She was the great-granddaughter of theologian Adolphe Monod. Relatives on his mother's side include also composer Jacques-Louis Monod, naturalist Théodore Monod and pastor Frédéric Monod.〔(【引用サイトリンク】title=The religion of director Jean-Luc Godard )〕〔(【引用サイトリンク】title=Jean Monod (1765–1836), pasteur )〕 Four years after Jean-Luc's birth, his father moved the family to Switzerland. At the outbreak of the Second World War, Godard was in France and returned to Switzerland with difficulty. He spent most of the war in Switzerland, although his family made clandestine trips to his grandfather's estate on the French side of Lake Geneva. Godard attended school in Nyon, Switzerland.〔(【引用サイトリンク】url=http://www.allmovie.com/artist/jean-luc-godard-p91804 )
Not a frequent cinema-goer, he attributed his introduction to cinema to a reading of Malraux's essay ''Outline of a Psychology of Cinema'', and his reading of ''La Revue du cinéma'', which was relaunched in 1946.〔Richard Brody, Everything is Cinema, p6〕 In 1946, he went to study at the Lycée Buffon in Paris and, through family connections, mixed with members of its cultural elite. He lodged with the writer Jean Schlumberger. Having failed his baccalaureate exam in 1948 he returned to Switzerland. He studied in Lausanne and lived with his parents, whose marriage was breaking up. He spent time in Geneva also with a group that included another film fanatic, Roland Tolmatchoff, and the extreme rightist philosopher Jean Parvulesco. His older sister Rachel encouraged him to paint, which he did, in an abstract style. After time spent at a boarding school in Thonon to prepare for the retest, which he passed, he returned to Paris in 1949.〔Richard Brody, p. 7〕 He registered for a certificate in anthropology at the University of Paris (Sorbonne), but did not attend class. He got involved with the young group of film critics at the ciné-clubs that started the New Wave. Godard originally held only French citizenship, then in 1953, he became a citizen of Gland, canton of Vaud, Switzerland, possibly through simplified naturalisation through his Swiss father.

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